As a Korean American novelist, I am often afraid that I will somehow let us down with what I write. I ask them if they feel added pressure about depicting, and perhaps representing, Koreans to so many people. These might be the words that come up most frequently in talking with the director and cast: responsibility and joy. There’s also a prevalent antifeminist backlash, and women associated with feminism frequently have to contend with intense harassment.) Hwang believes it’s to the good that “people are discussing these issues and having a lot of conversations.”ĪSKED IF THE SECOND SEASON OF SQUID GAME WILL HAVE THE SAME THEMATIC PREOCCUPATIONS, HWANG SAYS, “I WANT TO ASK THE QUESTION, ‘IS TRUE SOLIDARITY BETWEEN HUMANS POSSIBLE?’ ”
#Dong dong never die streets of rage 4 series
That said, some Koreans have raised concerns about the portrayal of women in Squid Game, with a feminist group, Haeil, calling for a boycott of the series for its “exclusively male gaze.” (South Korea has the largest gender wage gap among rich countries and often ranks low on gender equality indices.
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Outrage over the abuses illuminated in his 2011 movie, The Crucible, eventually led to the National Assembly of South Korea abolishing a statute of limitations for sex crimes against minors and the disabled. Hwang’s work has sparked social change before.
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Not long after the release of the series, when 80,000 union workers in South Korea went on strike, many protested in Squid Game costumes and masks. In a time of extensive privation, inequity, disease, fear, and distress, the show’s dystopian premise feels alarmingly plausible. South Korea’s cumulative household debt, more than $1.5 trillion, now exceeds the country’s annual economic output, and the burden falls more on some people than others. Rage has likely helped Squid Game resonate worldwide. PHOTOGRAPHS BY AB+DM STYLED BY DEBORAH AFSHANI. in Los Angeles in February, plays the desperate defector Sae-byeok.Ĭoat by Fendi shoes by T.U.K.
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“It was a late adjustment, and I believe the director made that change because he wanted the character to show a glimpse of something human inside himself.”įLIGHT OF FANCY Hoyeon, photographed for V.F. He’d apologize for the timing-and quantity-of his changes, but Hoyeon says the actors were grateful to him: “It was proof that the director was really just incessantly wrestling with the best way to portray these characters.” Asked for an example of a key last-minute change, Park Hae-soo, who plays the embezzling, treacherous Sang-woo, remembers a pivotal moment when, as his character is dying, he stretches his hand toward his former best friend, Gi-hun. The director would often give revised scripts to the cast the day before shooting. She tells me that Hwang focused on the smallest nuances of her performance, even down to the level of individual syllables in the dialogue. Hoyeon, the model and actor who plays Sae-byeok, won that SAG Award for what is, remarkably, her first acting role. IN A TIME OF EXTENSIVE PRIVATION, INEQUITY, DISEASE, FEAR, AND DISTRESS IN SOUTH KOREA AND ELSEWHERE, THE SHOW’S DYSTOPIAN PREMISE FEELS ALARMINGLY PLAUSIBLE. Squid Game is the first series in a language other than English to receive Screen Actors Guild Awards, including for two of the central stars, Lee Jung-jae and Hoyeon.
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And the highly violent dystopian thriller isn’t just a commercial hit. In nations as different as the Netherlands and Saudi Arabia, people have competed in large-scale, real-life versions of Squid Game-without the part about fighting to the death. The film was expanded into a series, and within 10 days of its release, the Korean television drama was the most watched Netflix show in 90 countries. Hwang showed the script to Netflix, which had recently opened a division in Asia, and they agreed. A guide to Hollywood’s biggest races Arrowīy then, inequality was rising worldwide, a hate-propagating former reality show host had become president of the U.S., and Hwang’s story of disastrously indebted Korean residents vying for $38 million in an elaborate, ruthless game orchestrated by plutocrats no longer sounded so far-fetched.